marrakech city

marrakech city
History of Marrakech
MARRAKECH IN 09 JULY 2006

Marrakesh was founded by the Berber leader, Youssef BEN TACHFINE who came from the desert with his tribe, Sanhaja. "Al moravides", Tachfin's fellows' main aim was to introduce Islam to the region. According to the historian and author of Roudh Al Qirats, Youssef BEN TACHAFIN was one of the greatest and most vertuous kings that had ever ruled the country at that time.

BEN TACHAFIN didn't have any idea about how the Maghreb or Andalousia may look like, he gave Marrakesh a Saharian aspect which was inspired from the region he was born in. His first edifices were a glorious mosque, his mother's residence and Dar El Hajar Casbah. But he continued to lead a nomade like life.

The city grew quickly with the coming of Youssef BEN TACHAFIN'S son who added more to the city and developed its architecture. Youssef BEN TACHFIN'S mosque and some other historical monument's ruins tell a lot about the wild beauty of Almoravides architecture.

Marrakesh, capital city of a huge empire that went from la Castille to Sudan, was deeply influenced by Andalousian culture and art. El Mouatamid, Poet and king of Seville, wrote his most beautiful poems in Marrakesh when he was exiled in it. When the famous poet Hafsa Ben EL HAJ left Spain and came to Marrakesh with king Yacoub EL MANSOUR, she met many brilliant poets and artists.

Marrakesh was lucky enough to serve as a capital city for numerous Moroccan dynasties, namely Almoravides, Almohades and Saadians whose contributions to the city can still be seen in the medina, the old part of the city.

Marrakesh, like its most counterparts in Morocco, is a dramatic contrast : The modern city is surrounded with beautiful gardens like the one designed by Majorelle in the North, and Menara gardens in the South. The Medina, old part of the city, is one of the most fascinating sites in the country. It is possible to visit the medina and its historical WALLS by car but it will be more exciting if you do it on foot. The first place to visit is Jamaa El Fna which is a real theatre attractive enough to lure your eyes.

As in all Moroccan cities, Mosques are forbidden for non muslims. However, there are so many interesting sites to visit in the South of the Medina. Not least, AL BADII palace, AL BAHIA palace and Dar Si Said where the museum of Moroccan art is located. More sites to visit are the SAADIANS mausoleum, the KOUTOUBIA tower, "Eiffel Tower" of Marrakesh. It tells a lot about the glory of Almoravides era. BEN YOUSSEF medrassa is a mile stone in the development of scientific research at that time.

Marrakesh is a place that offers something for every one. It is true that Marrakesh is a city of monuments par excellence, but it's also the place of gardens and natural sites where plants and flowers of different types and colours draw a beautiful rainbow that crosses the sky from East to West. Such a picture forshadows the warm welcome that you will get there.

This description is not enough to help you admire the city and its monuments so come here and feel Marrakesh with all your senses.
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# Posté le mardi 04 juillet 2006 09:06

Modifié le mardi 24 juillet 2007 08:12

fes city

fes city
fes in 03 04 july 2006


A remarkable, two-story, antique royal suite from 1880, the Massriya of the Pasha Baghdadi is the most beautiful Massriya we have found in Fez. Decorated with simple traditional furnishings, the Massriya's romance comes from its original architectural detail: the suite is encrusted with museum-quality carved plaster, original mosaic, and decorative painting. Authentic, quirky, and romantic. Conde Nast Traveler called the property "*The* apartment to rent in the medina of Fes."

* Two master bedrooms, including rooftop jewelbox "Menzeh" encrusted from mosaic floor to painted ceiling with museum-quality decorative detail, opening onto the terrace and city view from bed. Separate Menzeh is accessed through outside staircase.

* Small Garden Room on main floor contains ornate traditional fountain, small traditional domed Hammam bath designed for four people, and a shared bathroom.

* Large Salon with high original painted ceiling and cascading antique carved plaster.

* Rooftop terrace with Medina view.

* Excellent accessible location in Medina.

* Tiny kitchenette in Garden Room.

* Dramatically lit, with simple traditional furnishings.

* Down comforters, Egyptian cotton sheets and towels, and hand-embroidered wool and silk bathrobes.

Originally the jewel of the house of the Pasha Baghdadi, who administered justice in Fez in the late 1800's, this suite is itself an antiquity. Its carved plaster in delicate hues has been untouched since 1880. Exceptionally fine mosaic extends throughout the suite. The spacious main salon has a high ceiling completely covered in original decorative painting from which carved plaster falls like lace in an incredible virtuosity of design. A poem carved into the plaster circles the room and welcomes the guest into the suite.

Through an arched doorway is the first master bedroom, with a view of the Merenid tombs on the hillside. Below the window, the life of the old city goes on uninterrupted, with the musical cries of the mint-seller in the morning to the sound of old men leading leather-laden mules downward into the Medina. Here, the call to prayer sounds five times each day through your window.

We have restored this suite as an authentic experience of Moroccan tradition - then added special touches rare in Morocco - from Egyptian cotton sheets and towels to down comforters and pillows to hand-embroidered wool and silk bathrobes in the traditional style. The furniture is traditional and simple, and the dramatic lighting draws attention to the original detail that gives the suite its allure.

A Small Garden Room Contains an Intimate Domed Hammam Bath.
On one side of the Grand Salon is a small, dramatically-lit Garden Room with an ornate mosaic suquaia wall fountain. Bathe in the intimate domed tadelakt and mosaic hammam. Created by Hussein Kadiri, the chief architect for the current restoration of the Bou Inania Medersa, this hammam - designed for four people - brings to life the traditional Moroccan community bath, created to welcome the guest for hours. Centered by its fountain, the Garden Room is the only space that we have altered in our restoration of the Pasha Baghdadi Massriya.

Once a half-built modern kitchen, the space was adapted to fill the traditional role of the wust dar, the symbolic center of the house, with its water source centered on the main axis of the suite and visible through successive arches. Step out of the hammam and rest in luxurious embroidered robes created by the skilled hands of Moroccan women still practicing the art of clothing kings.

The Jewelbox Menzeh and the Roof Terrace
Quirkily situated at the crown of the house one floor above the main Salon level, and accessed through the common stairway, you will find the most remarkable room in the Pasha Baghdadi complex - the jewelbox "Menzeh," the likes of which we have never seen in our extensive exploration of traditional houses in Fez. The rooftop Menzeh bedroom is a room completely encrusted with original antique decoration. From floor to ceiling, every inch of the nine-by-nine foot space is embellished with extraordinary workmanship. The mosaic continues from the floors up the walls until it meets antique carved plaster studded with stained glass. Above this is an ornately painted ceiling in warm reds and ochres. The effect is astounding.

Three large windows look out onto the terrace, creating a bright rooftop garden retreat by day. By night, the light from the Menzeh illuminates the deep jeweled shades of the stained glass windows where tiny missing panes and broken plaster cast lacy shadows out onto the terrace. We will not repair the lovely webbed plaster where it has broken. We will not remove the tiny abandoned mud wasp's nest from the sharp carved starburst of the Menzeh's antique plaster. All of this is part of the baraka or fortuitous blessing of the Menzeh, which we have preserved as it was found, an jeweled secret place at the crown of the Fez Medina.

The Menzeh bedroom shares the bathroom on the floor below, which is accessed along the common stairway. Despite this inconvenience, groups of four will battle each other to claim the Menzeh bedroom where, just sitting up in bed, one can look out over the moonlit terrace to the lights of Fez.

A Small Kitchen Corner is Cached in the Garden Room
Convenient for limited cooking, a small kitchen corner is hidden in the Garden Room. The kitchen corner contains a small refrigerator, a marble sink, hotplate surfaces, silverware, dishes, and a small set of pots and pans.
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# Posté le mardi 04 juillet 2006 08:46

tanger city

tanger city
History of tanger
tanger in 29 30 june 2006

According to Berber mythology, Tangier was built by the son of Tinjis, named Sufax. Tinjis was the wife of the Berber hero Antaios. There are other stories of Tangier being founded by Hercules. The cave or grotto of Hercules is only a few miles from the city. This cave is a major tourist attraction because of its association with Greek mythology. It is believed that Hercules slept there before attempting one of his 12 labours.

Tangier was an important city for the Berbers, and still is inhabited by Berbers and Arabs, and the city's name may be derived from the Berber goddess Tinjis (or Tinga). Founded by Carthaginian colonists in the early 5th century BC, the settlement of Tingis came under Roman rule as the capital of Mauritania Tingitana of Hispania. In the 5th century Vandals conquered and occupied "Tingi" and from here swept across North Africa.

A century later (between 534 and 682), Tangier became part of the Byzantine empire and later on came under Arab control in 702.

Held by the Portuguese from 1471-1580 , to Unification with Spain 1580-1640 , Portugal 1640-1661.

By the British Garrison from 1661, when it was given to Charles II as part of the dowry from Catherine of Braganza. The English granted Tangier a charter which made the city equal to English towns. In 1679, the sultan Moulay Ismail of Morocco made an unsuccessful attempt to seize the town and maintained a crippling blockade which ultimately led to a British retreat. However, the British destroyed the town and its port facilities prior to their departure in 1684.

Under Moulay Ismail the city was reconstructed to some extent but the city gradually declined until by 1810 the population was no more than 5,000.

In 1821, the Legation Building in Tangier became the first piece of property acquired abroad by the U.S. government; a gift to the U.S. from Sultan Moulay Suliman. In 1777, Morocco was the first nation in the world to recognize the United States.

Tangier's geographical location made it a centre for European diplomatic and commercial activity in Morocco in the late 19th and early 20th centuries. It was here that the German Kaiser Wilhelm II's pronouncement in favour of Morocco's continued independence triggered an international crisis in 1905.

In 1912, Morocco was effectively partitioned between France and Spain, the latter occupying the country's far north (called Spanish Morocco) and a part of Moroccan territory in the south along the Atlantic coast that was called Spanish Morocco until 1976. Tangier was made an international zone in 1923 under the joint administration of France, Spain, and Britain (Italy joined in 1928).

After a period of effective Spanish control from 1940 to 1945 during World War II, Tangier was reunited with the rest of Morocco following the country's independence in 1956.

Culture
The multicultural placement of Muslim, Christian, and Jewish communities and the foreign immigrants attracted artists like Paul Bowles, William S. Burroughs, Jack Kerouac, Tennessee Williams, Brion Gysin and the Rolling Stones, who all lived in or visited Tangier.

It was after Delacroix that Tangier became an obligatory stop for artists seeking to experience the colors and light he spoke of for themselves - with varying results. Matisse made several sojourns in Tangier, always staying at the Hotel Villa de France. You can still visit his room where he painted the view out the window. "I have found landscapes in Morocco," he claimed, "exactly as they are described in Delacroix's paintings." The Californian artist Richard Diebenkorn was directly influenced by the haunting colors and rhythmic patterns of Matisse's Morocco paintings.

Tangier also knew the rise of native authors such as Mohamed Choukri who is considered as one of North Africa's most controversial and widely read authors. Paul Bowles collaborated closely with Choukri on the translation and wrote the introduction for Choukri's autobiography For Bread Alone, described by Tennessee Williams as 'A true document of human desperation, shattering in its impact.'

In the forties and fifties, when the city was an International Zone, and apart from the artists, it served as a playground for eccentric millionaires, a meeting place for secret agents and all kinds of crooks, a Mecca for speculators and gamblers, an Eldorado for the fun-loving "Haute Volée".

William S. Burroughs wrote Naked Lunch in Tangier in the 1950s and the book's locale of Interzone is an allusion to the city.

As a great collector of lead soldiers, the American billionaire and publisher of Forbes magazine Malcolm Forbes brought together a total of 115,000 models to what is now called the Forbes Museum of Tangier. These figures re-enact the major battles of history; from Waterloo to Dien Bien Phû, realistically recreated with lighting and sound effects. Entire armies stand on guard in the showcases, while in the garden, 600 statuettes bear silent homage to the Battle of Three Kings.
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# Posté le dimanche 02 juillet 2006 16:51

chefchouen city

chefchouen city
Chefchaouen, Morocco: Blue City of the Hills

in 01 02 july 2006
In Morocco, the City of Chefchaouen is located 40 miles (60 KM) south of Tetouan. Chefchaouen has a history of Spanish-influence and is located in the heart of the Rif Mountains, where surrounding trees, hills, springs, and wildflowers attract tourists looking for a calm getaway. Just a few hours away from Tangier, or the Imperial cities of Rabat, Meknes, and Fez, Chefchaouen offers the nature lover rows of hills perfect for hiking and outdoor activities.

In this Moroccan town, dubbed “the Blue City”, the Berber mountain people of Morocco have a lot to offer tourists. Their hand-woven earth-tone blankets, rugs, and even lamp shades are seen displayed at the small shops within the city's medina walls. They will welcome you in, ask you to look around, and even offer you some mint tea without hassling you to buy.

Also, dotted throughout the medina, you'll find wood workers who are so engrossed in their craft, they might not look up from what they are doing until they hear the muezzin calling all the faithful to prayer as the sun is setting.

Chefchaouen is also the center of hashish production. So, be aware that touts and false-guides (called Faux-Guides, in French), will offer to sell you some or take you on a promenade to show you where it is grown. Even though you will see locals puffing away in public, it's best for foreigners visiting Morocco to avoid such solicitations since you may end up getting arrested and serving an unwanted jail sentence.

'Chaouen' as it is known to local Moroccans, is a great place to explore one of the country's most interesting, yet small medinas. You can take a walk along the main avenue, Hassan II and enter into the Medina through Bab l'Ain. In the springtime, in the Nouvelle Ville, you can sit in the Place Mohammed V Park and enjoy the view of the mountains in the background. The old city, called Place Uta el Hammam, is a photographer's delight, and one of the few places in Morocco that has an octagonal minaret next to the Grand Mosque.

In the 1600s, Moulay Ismail built Chefchaouen as an Arab fortress. In the centuries that followed, Chaouen saw itself transformed from a Spanish prison to what it is today.

If you visit the museum, in the Kasbah, you can see the collections and artifacts that bring the diverse history of Morocco to life. One of the main attractions of this region is the unique style of clothing worn by the Berbers. You will notice most of the men wearing thick, earth-tone djellabas made of wool as they stroll through the blue and whitewashed walls of the medina. These gowns keep the men warm during the long winters they experience in the high altitudes of the Moroccan mountains. On the other hand, the women will be seen wearing colorful straw hats, and a red-and-white-striped cloth tied around their waist that looks like a skirt.

So, as you hike among the Rif's lower knolls, be sure to admire the backdrop of the city as you discover the warmth and friendliness of the village people in Morocco.
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# Posté le dimanche 02 juillet 2006 16:37

Modifié le mercredi 23 août 2006 16:47

personel identification

personel identification
Personal identification

in the first azoul noun

My name is mohamed zarit and all of me friends call me Moha .I was born in 01 september 1976 in imider village in south of morocco about 135 km from ouarzazate . .
. I have a lot of hobbies : football listen to music travel swimming and read some english books and i watch tv some time when i have the time i like fight films and western too .My best singers are rouicha boutmazought ......... celine dion And old song of cat stevens . Please don't care of me if i have some mistake i am just moha shepherd who open his mind at all .Ilike to talk about everything execepting religion and politic .And if you want to add commentaire see ajouter un commentaire by french to tell me your opinion about this skyblog .every body are welcome .




This is my e-mail : shepherd8954@hotmail.com

phone number : 00212 61 96 49 52


everyone are welcome moha the friend of festivals every summer

zarit mohamed
imider tinghir 45800
ouarzazate morocco
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# Posté le mercredi 07 juin 2006 21:25

Modifié le mercredi 20 mai 2009 20:34

floklore in morocco

floklore in morocco
Moroccan Folklore
Moroccan folklore expresses and enhances everyday life of which it is an integral part. Although loyal to its forms of expression for generations, it is being continually enriched by popular imagination, under the influence of new events on the national, tribal or individual levels.

Moroccan folklore is extremely diverse. It varies not only from one area to another but each tribe, nomadic or sedentary, has its own repertory, the extent and wealth of which will surprise the layman. Besides the exotic, picturesque, colorful or romantic aspects of the setting, folk dancers form an ensemble of traditions, a world of symbols which are undecipherable today.


MARRAKECH FOLKLORE FESTIVAL
The visitor to the Marrakech Festival that many treasures remain hidden in the Moroccan country-side. Thanks to the festival, one discovers the people of legendary times.

Organized in the ruins of the El Badi Palace, every year at the beginning of June, the show is one of the most successful staged in Morocco. The ancient walls are brought to life by the skillful use of lighting which also plays on the shimmering costumes of the dancers and gives a new dimension to the vast Saadian structure.

The stage is set beside a large pool of still water. On this island of light, the troupes follow each other in song and rhythm. Here they are:


THE AWASH
The dance comes from the High Atlas valleys in the Ouarzazate area. A circle of women in multicolored robes stands motionless. In the center, men sit around a fire, each of them with a "bendir" (a circular wooden frame with a hide stretched over it). A piercing cry breaks the silence. It is a shout more than a song. All the drums beat. The song of the men begins, mounting skyward. The women reply. Shoulder to shoulder, they sway rhythmically and slowly. The rhythm gets faster and faster until the finale.

THE OUAIS
Set to very ancient music, in which is easy to perceive Middle Eastern accents, this dance is like a ballet.
The orchestra comprises a one-stringed fiddle, or "rbab soussi", and a certain number of "guembris" which are small mandolins with three strings sometimes made with a turtle shell. The rhythm is provided by a beater who strikes a piece of cast iron lying on the ground. The dancers add to the music with small copper cymbals attached to their fingers. All the dancers wear city dress: a colored "kaftan", a muslin "dfina", an embroidered silk belt, a cord decorated with spangles woven around the head. The dance is graceful and comprises several steps. Couplets alternate with the step to make an uncommonly delicate spectacle.


THE TISSINT
South of Agadir, men and women, entirely garbed in indigo-blue, perform a dance which resembles a religious rite.
Perhaps it is an ancient rite. The dagger dance is clearly symbolic. It is part of marriage ceremonies. Men and women dance to a rhythm that becomes more rapid. A young girl and boy leave the circle to do a duet. The boy holds a dagger at arm's length at the end of a cord. He spins about, making circles around the girl, withdraws and comes nearer, until they are face to face. Advancing towards each other with short steps, the boy raises his arms to place the dagger around the young girl's neck as she continues to dance. Slowly the boy falls to his knees in front of her. The song continues.


THE TASKIOUINE
No doubt a warrior's dance, since women do not take part. Wearing white tunics and turbans, with powder- horns on their shoulders, the dancers keep time to the accompaniment of earthware tambourines covered with skins. They dance shoulder to shoulder or in indian file. The body is shaken rhythmically and stopped suddenly with perfectly- timed stamping of the feet. It is a frank, powerful and virile dance without any mannerism or any equivocal gestures. Although athletic, it is nevertheless aesthetic.

THE GNAOUAS
African in origin, the Gnaoua dance belongs to brotherhood music-lore. The tumblers of the jemaa El Fna in Marrakech have transformed it into an entertainment. The instruments are as primitive as ever: large drums and wrought iron castanets form the orchestra. Cowrie shells and glass beads are worn as ornaments that recall the dance's origin and its magical or religious aspect. Some of the dancers perform leaps worthy of the best acrobats. They manage to jump high in the air without missing a beat of the rhythm. It is a show with great dramatic intensity.

THE AIT ATTA
This dance resembles somewhat the Ahwash of Kelaa M'Gouna. A row of women in festive dress faces a row of men. All the gestures of the dancers express gaiety and enthusiasm. The dance marks the end of work in the fields, when the harvest is in and when the winter cold of the mountain regions gives way to the season of relaxation.

THE AIT BODAR
Another warrior dance performed only by men. Wearing white "gandoras", they link arms as if welded to each other and chant their song during a continuous backwards and forwards movement. The dance appears to symbolize the indivisible unity that should link the warrior of the tribe in the face of the enemy. The men form an impenetrable barrier: they are as one man, one will be animated by a single rhythm.

THE AIT BOUGUEMAZ
The central figure wears a different costume to the rest of the troupe. He has a pointed bonnet covered with a strip of white muslin and plays a double flute. He is the only professional in the troupe and produces a nasal buzzing with his instrument which has a striking effect while the men and women of the village turn in a circle. The dance is at times light, composed of slides and little steps, or more dynamic when the performers stamp hard on the ground. It is an abstract dance by the mountain folk but it has the virility also of warrior dances. Poems are recited.

OULMES AND KHENIFRA
The "Ahidous" of the Middle Atlas is a visual enchantment performed in its traditional purity by men and women dancers of the Oulmes and Khenifra areas. Most of the girls are very young and very pretty. The costume, strongly influenced by urban dress is in pale colors. The men and women form a large circle and rock to the rhythm of "bendir" drums. They do simple steps, advance and withdraw. The gestures are discreet, full of dignity and modesty. Poems are recited.

THE AIT HADDIDOU
The Ait Haddidou live on the upper plateaux of the Assif Melloul in the High Atlas mountains at an altitude of 8,500 feet, and seem to have been subjected to no influences to upset the harmony of their patriarchal existence. The women wear "handiras", blue cloaks with white stripes. Married women and widows may wear "akidoud", a kind of henna, in their hair. Hefty necklaces of yellow amber beads and heavy silver jewels convey an impression of barbarian beauty. The men wear long burnouses and wrap their heads in impressive turbans. The "Ahidous" they perform is fascinating although static. We see here gestures which have resisted and triumphed over the passage of time, but whose significance is lost to us for ever.

THE HOUARA
These dancers come from Inezgane near Agadir. The troupe is composed of a group of men and one woman. The men begin the dance to a sprightly rhythm. One or two virtuosi leave the circle to execute solo dance. When the rhythm reaches its peak, the woman rushes to the center. There follows a whirling dance of great power. Uncommon physical strength is required to keep up the rhythm and do such elaborate steps. The dance is without doubt one of the most spectacular in Moroccan folklore and arouses the enthusiasm of the audience.

THE AHIDOUS
In the Middle Atlas Haidous dance singers and dancers form a large circle with the men and women standing alternately shoulder to shoulder. Sacred and secular influences are deeply linked in this ceremony. To the rhythm of tambourines, the men and women undulate and sing a joyful hymn.

THE GHIAYTAS
Warriors carry rifles dance to the tune of pipes and drums. It is not clear whether they are dancing to work up courage to face the enemy, or whether they are celebrating a victory. They do not sing but shout rumbling cries in cadence. Their rifles, like toys, are balanced on the head, spun at arms length, and they pretend to shoot with them at invisible enemies. Forming a circle and turning to the rhythm of a noisy orchestra, they aim their weapons at the ground, at a signal from their leader, fire off blank charges.

HAHA
The music is reduced to a solo seven-hole flute made out of a reed and elementary in design. The rhythm is supplied by hand-clapping and stamping of the feet on the ground to give a both powerful and enchanting effect. Dancing vigorously, the men produce an ensemble that is disciplined and virile.

THE GUEDRA
It would take too long to try to explain the significance of this dance from South Morocco in which the attitudes and movements have their origin in a very ancient symbolism. It is c~ represents some ritual ceremony whose origins are lost in the mists of time.
The women dancers kneel and are completely covered with a black veil. The steady rhythm like a beating heart brings out the hands that describe vivid and expressive motions. The head is revealed, with eyes closed, swaying like a pendulum. The rhythm is supplied by a "guedra" or cooking pot (an earthware drum covered with skin). It becomes pulsating as the dancers continue to speak their mysterious language. The singing of the spectators changes to brief and guttural cries. The dancer gradually casts off her veils and finally collapses in a heap.


THE OULAD SIDI AHMED OU MOUSSA
These acrobats belong to the wandering brotherhood of Sidi Ahmed Ou Moussa, the saint of Tazeroualt, a locality of the Anti Atlas mountains. Originally the young people of the area performed these exercises in preparation for their role as archers and marksmen. With the disappearance of the warriors, acrobatics became an end in themselves and a way of earning a living.
Many people from the Oulad Ahmed ou Moussa work in circuses in Europe and America. The colorful costumes are often embroidered and have not changed in centuries.


THE DEKKA (MARRAKECH)
The people who perform this rhythmic entertainment are not professionals. The strange orchestra composed of craftsmen and merchants of Marrakech is made up entirely of earthware drums of different dimensions. The ceremony starts with simple and rather solemn rhythms, and then the cadence of hand-clapping accelerates. High and lower pitched beats on the drums are cleverly orchestrated and the men start singing powerfully in chorus. The rhythm changes suddenly from time to time, but it is all amazingly well- regulated. The general impression is an explosion of joy, a sonorous enchantment that seems wild but is disciplined.

THE FANTASIA
There is one particularly stunning and exciting event that has taken its rightful place among the more noteworthy examples of traditional folklore in Morocco, those demonstrations popular customs of which Morocco is so famous and which stimulates tourists to come and to see for themselves; that even is the Fantasia.
This colorful display of horsemanship begins with a procession made up of women from the Zayaan tribe on horseback. Behind them come, their menfolks in groups according to their tribe and bearing each group's emblem. When this "lap of honor" finishes, it gives way to the real Fantasia, the Aid el Broud (Festival of Gunpowder) with its gun-fire and bursts of shots. The horsemen line up in close ranks, and no sooner has one wave of riders left than the next is ready to follow; the impression is that of surging waves of galloping hooves. The frenzied dash of horses is accompanied by the piercing cries of the riders and terse orders from their chief until the whole thing explodes in a blaze of gun-fire from their famous "moukhahla", the rifles that are so highly prized by gun collectors. And when the riding is over, then another kind of show begins on a platform that has been erected in front of the huge marquees.

No show of popular folklore is complete in Morocco without music and dance. The spectator is, needless to say, enthralled by the diversity and richness of costumes and music that stretch back in time for a thousand years.

Since September 1977, the National Festival of Fantasia has been held in Meknes.
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# Posté le mercredi 24 mai 2006 16:05

georgaphy of morocco

georgaphy of morocco
The Mountains of Morocco
There are several fantastic mountain ranges in Morocco on which you can climb, hike, ski or ride mules. The amazing variety of foliage, natural water features and mountain peaks is captivating.

The mountains are often heavily wooded, with firs and cedars on the higher slopes. In winter many of the mountains are covered in snow. Many mountain animals live here, including the unusual Atalas monkey, along with a large variety of migratory birds and birds of prey, such as eagles. There is a large bird reserve located where the Moulouya river flows into the Mediterranean sea.

Amtoudi Peak: Located south of Agadir. You can either climb the 20–30 cm narrow, rocky trail along the edge, or hire a mule to do the job for you. A Spectacular view awaits you at the top.

Atlas Mountains: Filling most of the northwestern corner of Africa, the Atlas are divided into 5 regions stretching from Morocco, through northern Algeria and touching Tunisia.

Morocco has the Middle Atlas, High Atlas and Anti Atlas. The High Atlas is the highest range, with Jabal Toubkal stretching to 4,165 metres. The Middle Atlas reaches 3,350 metres and the Anti Atlas does not reach higher than 2,531 metres, but it still has some very rugged landscape. At the edge of the Anti-Atlas in the extreme south, the scenery is consists of vast, eroded gorges which flow with the rivers into the dry, desolate wastes of the Sahara desert.

Chefchaouen Mountains: Located in the north east, south of Tetouan. The Chefchaouen Mountains have two peaks, Jebel Meggou at 1,625 meters above sea level and Jebel Tisouka with its mosque on top at 2,050 meters.

Oregano Mountains, Taliouine: Located near Tiznit, south of Agadir. These mountains are covered with oregano and transmit the scent throughout the valley. At the top of these mountains (1,500 meters above sea level) are two caves used by goats for shelter.

Rif Mountains: Located on the northernmost area of Morocco on the north eastern limits of the Atalas mountains. The Rif mountains are made up of steep cliffs, near the coastline of Mediterranean Morocco where the terrain is rugged.

Sarhro Mountains: Located south west of Marrakesh. They are a wonderful winter trekking destination as the desert cools and the High Atlas Mountains become covered with snow. It is a remote area adorned with volcanic monoliths, vegetated plateaux, canyons, tiny Berber villages and the nomadic Ait Atta people. The Sarho are arguably the most charming mountains in the whole of Morocco

Setti Fatma: Located at the end of the Ourika Valley in Marrakesh. It has seven beautiful waterfalls, breathtaking views and mountain long trails for hardened hikers.

Tafraoute Mountains: Located south east of Agadir. The rocky, pink mountains here are the main attractions. A Belgian artist, Jean Verame, once painted some of the rocks blue in 1984, although these have now faded.

Tan Tan Mountains: Located down south. Known for its very flat peak and hollowness in some parts of the mountain.

Rivers
Morocco has the most extensive river system in North Africa. Its rivers generally flow northwest to the Atlantic or southeast towards the Sahara Desert. The main rivers of Morocco are the Sebou which runs into the Atlantic, and the Moulouya running into the Mediterranean.

Deserts

To the south and east lies the Sahara Desert. The Sahara is the world's largest desert and in Arabic its name means "wilderness". The Sahara does not fit the traditional idea of an entirely flat and waterless area. There are streams in the hills and the desert oases support both human and animal life.

Plants in the desert region survive with little water; some have very deep roots, others have small leaves or spines. Desert animals must also survive with little water and many, eg. the desert fox, remain hidden during the heat of the day others, such as gazelles, travel many miles in search of water.

Fertile Plains

These are to be found along the Atlantic coast, stretching to the Atlas Mountains and they are rich for agriculture, producing most of the country's fruit and vegetables. It is well irrigated by the melt water from mountain snows from the Atlas. Typical plants are orange trees, date palms and cork oak trees.

Climate
Morocco's climate varies widely: The north is Mediterranean and the south is subtropical while the sea and mountains help to maintain a pleasant climate.

Winters are mild and the summers are hot and dry. Average daytime temperatures in winter range from 16 to 23º C and in summer, from 33 to 42º C. Like Spain, Morocco has approximately 330 days of sunshine per year.

Mountain peaks are covered with snow for most of the year.

Desert temperature variations between night and day are extreme and rainfall is low and unpredictable.

The Environment's Future

Morocco's natural environment is under pressure in a number of ways: The increasing number of tourists and the over exploitation of resources such as oil and phosphates could damage the ecosystem in the desert. Overgrazing and the spread of the desert may also threaten currently productive areas in the future.
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# Posté le mercredi 24 mai 2006 15:44

getting in morocco by air

getting in morocco by air
GETTING IN MOROCCO

By air

in the summer ,book flights at least 2 months in advance .baggage allowances are 20 kg on schduled flights15 kg on charter flights .

Scheduled flights

There are many regular flights between Morocco and europe ,the middle east west africa , and a few between morocco and united states .The majority of european flights are operated by Royal Air Maroc , Morocco National carrier , and air France , which between them offer some 30 flight per week between France and RAM also has alliances with delta airlines and iberia for direct flights between the united states and spain ,British airways operates regular flights from london gatwick to casablanca tangier marrakech and agadir .other carriers also fly direct to Morocco including Alitalia KLM lufthansa sabena and swissair .A direct flight from casablanca the country s hub airport ,to madrid lasts 1hr30 min to paris 3hours to london 4hr and to new york 06hr 30 min scheduled flights are also avaible to Marrakech and Tangier ,but most other desinations will entail a connecting flights at casablanca .
Royal Air Maroc ,www.royalairmaroc.com
Air France ,www.airfrance.com
British Airways ,www.britishairways.com

Confirmation
Return flights should be confirmed 48 hours prior to departure
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# Posté le jeudi 11 mai 2006 13:20

swimming in morocco

swimming in morocco
Most visitors to Morocco make for Marrakesh, Fez or the Atlas Mountains. Few head to the coast, and those that do tend to concentrate on Agadir or Casablanca. Agadir - flattened by an earthquake in 1960, and rebuilt in ugly concrete - is Morocco's main package-tour resort, predominantly for holidaymakers who like nightclubs, burgers and beer. Casablanca is Morocco's largest and most cosmopolitan city - a financial, industrial and commercial centre with multi-storey office blocks, boulevards jammed with traffic, and businessmen and women in European dress.


Shore shot: the sea walls in Essaouira

But between these two crowded cities stretch 400 miles of undisturbed Atlantic coast, with surf thundering onto empty beaches, tranquil estuaries and lagoons teeming with birds - and 300 days of sunshine every year.

Much of this coast is virgin territory, but dotted along it are architectural reminders of a long and varied history, with harbours and medieval walled medinas, Roman ruins, and fortresses built by successive Hispano-Moorish, Portuguese and French colonisers. This coast is also the homeland of several tribes of Tashelhit-speaking Berbers, who were farming this land long before Arabs arrived. These rural Berbers have been little affected by colonialism or tourism - their traditional lifestyles survive, and many have found no need to learn French, or even Arabic.

Autumn and spring are perfect times to explore this beautiful coast. The weather is sunny but not too hot and the landscape is benign and pretty - there is also a good chance of witnessing a local saint's day festival, or moussem.

With one or two exceptions (see Morocco basics belowÇ), Moroccan hotels are inexpensive, and you will rarely pay more than £50 for a double room.

Agadir to Essaouira
North of Agadir, there are sheltered bays at Taghazoute and Amesnaz, but elsewhere huge waves and a strong undertow make for superb surfing - and perilous swimming. The road hugs the shore as the Atlas Mountains loom up and finally meet the ocean at Cap Rhir, the historic boundary between the Ida-Outanane Berbers to the south, and the Haha Berbers to the north.

The kingdom of Haha is perhaps the most dramatic part of the coast - much of it inaccessible except on foot or camel. The road twists through rugged hills of red earth, scarred by flash floods. Sea mist rises in steep gorges, revealing glimpses of deserted beach. Not much grows on these rocky hillsides except argans - trees that are found nowhere else and whose oil locals use for cooking, skin care and treating infertility.

Occasional tracks lead towards remote hamlets and fortified Berber granaries, or agadirs. One turning winds down to a crescent of fine, golden sand below Cap Tafelny headland. The tiny hamlet has a grocery kiosk, a two-table cafe, and a dozen blue wooden fishing boats, beached near a row of dilapidated huts.

Tamanar and Smimou are workaday towns, with arcaded main streets lined with cafes serving spicy harrira soup, and fish, lamb or chicken stews cooked on smouldering charcoal in blackened tagines. Weekly markets throng with men buying and selling dates, olives, honey, bananas, argan oil, and other produce displayed on the ground.

The men sip mint tea while their donkeys drink from shallow oueds. Later the men trot their donkeys home, perched sideways on bulging saddlebags. Others squeeze 10 or 12 at a time into shared taxis, each one a rusty jalopy with belching exhaust and creaking suspension, with sacks and parcels protruding from the boot and tied to the roof.

This is one of the poorest areas of Morocco, with few sources of income apart from subsistence farming on arid land. A woman's place is at home or on the family plot of land.

Fifteen miles before Essaouira, a turning leads to the shrine of Sidi Kaouki, and another perfect surfing bay.

The Hotel des Cascades near Agadir is a peaceful place to stay before embarking on the coastal drive. It is at Immouzer des Ida Outanane, 30 miles inland, up a dramatic, winding road through banana plantations (00212 4882 6016). South of Essaouira, the Residence Le Kaouki has plain rooms but good food (4478 3206).

Essaouira
If you only visit one place along this coast, choose Essaouira. It is an enchanting fortified fishing port, built by successive Berber, Portuguese and French colonisers on a rocky promontory, almost at sea level. The harbour is a hive of activity - veiled women sit on upturned buckets watching as their menfolk unload their catch, mend nets, sort fish-hooks, and tip cartloads of ice into grimy wooden boats.

Locals in hooded cloaks and pointed slippers sit on their haunches by the harbour wall, inspect rows of strangely shaped, twitching fish displayed on the cobbles, or tuck into seafood dishes, cooked to order on outdoor grills. Boat builders hammer at curved wooden hulls, gulls squawk overhead, and there is an all-pervading smell of fish.

Inside the ramparts, you'll find beige and white-walled houses with sky-blue paintwork. Local women waft down covered alleys, mysteriously enveloped in haiks - white, sheet-like shrouds that cover everything except their sandals and surprisingly colourful socks. Artisans hammer and carve in tiny, fragrant workshops. Local thuya wood polishes up like walnut, and the inlaid tables, solitaire sets, chess boards and tissue boxes have a golden, marbled glow.

In contrast to other Moroccan souks, there is no hard sell here - a calm atmosphere of tolerance and respect prevails, and this is reflected in the kaleidoscope of facial features. Even the many stray dogs and cats seem to get on well.

Outside the walls, a windy crescent of sand stretches south, backed by a straggle of new hotels. Here you can ride camels or horses, windsurf and sand-yacht, or watch impromptu games of evening football. Out in the bay, the Mogador islands are breeding grounds for a colony of the rare Eleanora's falcon. At the far end of the beach, tucked into the sand dunes across the Ksob river, is the Berber village of Diabat, which became notorious in the 1960s after a visit from Jimi Hendrix.

In the medina, Villa Maroc is a glamorous and comfortable riad hotel, with sitting and eating areas around two 18th-century courtyards (book well in advance on 4447 6147). For a longer stay, rent a furnished apartment overlooking the ramparts (4447 5538). For comfort, choose Dar Mimosas just outside Essaouira. Dotted about a mimosa-filled garden are eight immaculate villas, painted in vivid shades of blue and terracotta, and furnished with Moroccan art and antiques (4447 5934).

Essaouira to Safi
The coast road linking Essaouira with Safi has only recently been built, and its smooth, straight path through the sparsely populated region of the Regrada Berbers makes for stress-free driving. Jackals, wild boar and mountain fox live in the limestone hills of the Jbel Hadid, which are covered with the scrubby thuya trees used by local craftsmen for marquetry and carving. Dry-stone walls surround tiny boulder-strewn fields, where families, bent double, hack at clods with wooden hoes. In spring, agave flowers stand 20 feet tall, and meadows gleam with marigolds. Beyond the dunes is the endless arc of the ocean, with surf pounding onto miles of empty windswept sand. Here and there a small track leads from the main road to a village of roughly thatched houses made of sun-baked mud and stone - with strangely few ground-floor windows. Women appear in doorways to douse their steps with buckets of water. Sea spray blows on to a little minaret and groups of men loll against turquoise fishing boats.

After the road crosses the Tensift river, there are hints of comparative prosperity - a camel pulling a wooden plough, women leading an ox or a horse on a rope, and, swaying along the verge, a donkey cart, with a small boy sitting astride a heap of greenery.

Safi
As you approach from the south, Safi (or Asfi) may seem unappealing, with red slag heaps, railway sidings, chimneys belching smoke, and an all-pervading stench of fish. Built in a steep river valley, the town is a modern industrial centre and fishing port, with one of the world's biggest sardine fleets.

Don't be put off. Make your way through the soulless new town to the old fortress - the "Castle on the Sea" - and stroll through the crowded souk in the medieval medina to the extraordinary hillside potteries just beyond the medina walls. Here, burrowed out of the pinkish-red earth, networks of dark tunnels and cramped caves house dozens of workshops. A boy may volunteer to guide you through the stages of production, each in a separate subterranean hovel too low to stand in, where potters crouch on low stools, and Moroccan music crackles from dusty radios. Nowhere in Morocco will you find cheaper pottery, and it will be hard to leave Safi without a brightly decorated piece.

For accommodation, your best bet is the slightly faded Atlantide (4446 2160).

Safi to Oualidia
The ancient kingdom of the Doukkala Berbers is, if possible, even more beautiful than the land of the Haha. The road is again smooth and empty as it crosses stony plateaus and gently undulating land, past sandhills and limestone cliffs, beyond which waves thunder ceaselessly upon miles of astonishingly empty sand, including the lovely Lalla Fatna beach 10 miles from Safi. There are few houses, but smiling children appear as if from nowhere at the side of the road selling huge shells, or holding aloft a shiny fish.

Cap Beddouza lighthouse is visible from miles away, rising from its eccentric green and white fortifications on a rocky headland. Every day, at dawn and dusk, the keeper climbs to the top of the lighthouse to draw a curtain round the lamp, so that the fierce African sun cannot shine through the prism and set fire to neighbouring houses. Nearby fields are full of caves and potholes, leading to a network of largely unexplored tunnels that locals claim stretch for miles.

For accommodation, the Auberge Cap el Beddouza (4462 5843) has basic rooms. It's also a good spot for lunch or a mint tea.

Oualidia
This place is beautiful and unspoilt. Running parallel to the shore is a narrow spit of land that sends fans of spray soaring as waves crash against it. The tide gushes in through two gaps in this reef, but on the sheltered shore-side is a calm, glittering lagoon, edged by a curve of fine sand. Dolphins are a common sight. Fishermen like to walk out along the spit, and stay there, cut off by the tide as it rises, on occasion joined by flamingos. A hundred yards inland is Oualidia's main street, full of locals going about their daily lives. Beyond the reef, miles of untouched beach stretch away into the distance, with waves rolling in towards high sandhills.

Spend a few nights at the Hippocampe (2336 6108), where simple but clean cabins are set in a terraced garden of hibiscus and palms. After a lunch of fish soup and local oysters, eaten on the terrace in the shade of a fig tree, it's a few steps to the lagoon for a cooling swim.

Oualidia to El-Jadida
The coastal lagoons continue for many miles north of Oualidia. There are glimpses of surf behind the sand bar, but the road is less pretty than before. Small cafes, sandwiched between road and sea, are tempting stops for a meal and a swim. But the hillsides of argan trees have given way to a sandy plain covered in castor oil shrubs - source of the poison ricin. Farther on, the small village of Moulay-Abdallah lies inside the ramparts of the 11th-century holy city of Tit. Built to repel Vikings, Tit became an important shrine of Islam, but was abandoned in the 16th century. Today a handful of farmers and fishermen live here.

Le Relais (2334 5498), perched just above the crashing waves, is a simple inn with a good seafood restaurant 15 miles south of El-Jadida. Ask for a room overlooking the sea. Seven miles farther south, alongside the lagoon, is the modest six-room Villa La Brise (2334 6917).

El-Jadida
El-Jadida is the capital of the Doukkala province, with a dauntingly noisy, sprawling new town. Its urban beach front is full of traffic and crowds in summer, and in winter becomes a bleak promenade with wind-blown litter and deserted cafes. But the walled medina is something else. Built in 1502, it is arguably the best-preserved Portuguese fortress town in Morocco, but few tourists explore the rambling lanes and cobbled alleyways, which still retain their Portuguese street names. A local boy may offer to show you the wide ramparts, and will point out the disused Catholic church and synagogue, and Morocco's only five-sided minaret (which was once a lighthouse). Most memorable is the Portuguese Cistern, a 16th-century vaulted cellar, used as an arsenal and later as a fencing school, before becoming a water tank. It was rediscovered only in 1916. The brick floor is kept flooded with a few inches of water, and a bright shaft of sunshine creates spectacular reflections.

Accommodation ranges from the luxurious Royal Golf Hotel, overlooking both sea and golf course (2335 4141), but a more charming choice is the dilapidated Palais Andalous, once the residence of a local pasha, with elaborately tiled rooms round an open courtyard. (2334 3745).

El-Jadida and Casablanca
Just north of El-Jadida is Azemmour, another little-visited 16th-century Portuguese fortress town, which provides a unique opportunity to witness everyday life. Grizzled shopkeepers peer out from their cupboard-sized shops and adjust the bundles of vegetables heaped on upturned boxes. Veiled women disappear down cobbled alleys of whitewashed houses and children stop kicking a stone to try out their elementary French.

Beyond Azemmour, the wilderness of dunes gives way to straggling groves of eucalyptus and pine, and then scrubby farmland. The sea is nearby, but hidden from the coast road by sandhills. The main road, farther inland, is probably the better bet for this last stretch of coast through the traditional region of the Chaouia Berbers.

Note that big-city Casablanca can come as a shock after the quiet of the coast, so you might consider spending your last night in El-Jadida - but allow plenty of time for navigating the busy roads near Casablanca's airport.

Morocco basics
The Best of Morocco (01380 828533; www.realmorocco.com) can tailor-make trips to the Atlantic coast and elsewhere. An itinerary with flights from Heathrow to Agadir and returning from Casablanca to Heathrow costs £635 per person, assuming two people sharing, and also includes transfers and two nights' half board at Des Cascades, two nights' b & b at the Villa Maroc (Essaouira), two nights' half board at the Hippocampe (Oualidia) and one night's half board at the the Royal Golf Sofitel (El Jadida). Car hire for five days with unlimited mileage, CDW insurance and all local taxes costs, delivery and collection, can be added for £174.

Abercrombie & Kent (0845 070 0612; www.abercrombiekent.co.uk) offers three nights' b & b in a garden-view suite at Dar Mimosas from £455 per person, including flights and transfers from Marrakesh. The company can also tailor-make fly-drive itineraries along the coast.
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# Posté le jeudi 11 mai 2006 13:02

essaouira marrakech agadir

essaouira marrakech agadir
Popular Destinations in Morocco

With the Atlantic to the west, the Mediterranean to the north, wonderful beaches, four ranges of mountains with cascade waterfalls, century old cedar forests, eternal snows, immense plains of flowers with orange and almond blossom, rivers that lay out a carpet of greenery to the threshold of the desert and carve out the most spectacular gorges.
Morocco has been inhabited since pre historic times, as history shows it has a wealth of culture to be explored. Today Morocco is an independent state with its own constitutional monarch.

From the Straits of Gibraltar to Mauritania, nature has made Morocco one of the most beautiful countries in the world.

When we think of Morocco we imagine bright hot sun, white sandy beaches, mystical adventure, an array of sumptuous colours, bustling souks and wondrous evenings under dramatic sunsets!

Agadir
Agadir is a true Moroccan seaside town with palm-lined boulevards, stucco architecture, long sandy beaches and a remarkable climate. As the road descents to Agadir you will find some of the most remote and best tempting white sandy beaches, which are just unbelievable.

Agadir after dark has everything to offer with narrow streets and busy boulevards, which open out to open-air bars and restaurants offering local and international cuisine. The atmosphere is animated, everyone forges friendship over a drink or over a bargain struck in the near by shops which are open all evenings. There are long walks and array of nightlife from discos and folklore evenings.

The shopping scene is the local souk surrounded by pink battlemented wall. Agadir is an ideal base from which to venture into some of the Morocco's most spectacular scenery.

Essaouira
Essaouria lies on the south west coast beneath low Mediterranean type hills. Carved by small stony fields dotted with olive and thorny argan trees. Houses are painted white and blue, there are over hanging flower baskets and a thriving fishing harbour.

Essaouria has fortified town walls, routed in a rugged out breaks of rocks above a sandy bay. It has long been associated with artists as many walled murals testify - you will discover the true Morocco in this arty harbour small town.

Most of the coast is the preserve of camel drivers and shepherds - but hidden away are where most of the secret beaches which can only be discovered on foot. There are cascades of flourishing almond orchards reached by winding roads through a stunning gorge and it contains one of Morocco's undoubted gems.

The ramparts lead you to the local souk where craftsmen carve everything from small boxes to tables out of cedar and thuya wood, some of the finest wood workers in Morocco. Eassaouira remains so far unspoilt and attracts visitors who enjoy the culture, colours and fun of true Morocco.

In the evening restaurants come alive with fantastic fresh fish and delicacies of tapas and traditional Moroccan food. Terrace bars are the focus of nightlife together with the stretches of white sand dunned beaches, which are frequent by late night surfers.

Marrakech
Marrakech is the most exotic city in Morocco, and the meeting place of cultures and continents - just waiting to be discovered!

This vibrant cultural city is situated in the geographical centre of the country and the first great city north of the Sahara. As a gateway to the south Marrakech is dominated by the towering snow caped peaks of the Atlas Mountains. During winter and summer the city has a perpetual party atmosphere, which is intriguing, and intoxifying.

The city has two distinct parts one of more interest visitors is the Medina with its winding markets and historical monuments enclosed within pink walls. There are bustling squares and twisting alleys with densely packed souks, each specialising in a particular trade. Historical sites are numerous and offer a wealth of cultural diversity. In the evening's private courtyards, beautiful gardens, restaurants and bars open for a buzz of activity!
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# Posté le jeudi 11 mai 2006 12:19